Cover
story Writing icons part of journey to priesthood
By ARTHUR JONES
NCR Staff Tucson, Ariz.
The term for painting an icon is writing an icon,
because it is writing out a gospel passage using pigments,
explained newly ordained Fr. David Reinders. Because of an icon and a
Benedictine icon master at Mount St. Angel Abbey in Oregon, Reinders, as he
moved toward the priesthood, returned to art, which he had forsaken. He began
writing icons.
Formed by the Benedictines, Reinders, now 44, spent 1978-81 at the
orders St. Meinrads School of Theology. He also spent some time in
the monastery.
His parents died during that period and, he said, he realized he
could bury himself in the monastery and not be close to anyone. Instead, he was
encouraged by two Benedictine brothers, great mystics, Gabriel and
David, to go out on his own. His acknowledgments in the ordination
program included the now-deceased brothers.
Although Reinders left the community, he remained a Benedictine
oblate, a lay member of the order, as, between 1984 and 1994, he worked for the
church in parishes and teaching high school. When he decided to enter the
diocesan priesthood, he said, it was because the people in the parishes
are so hungry for spirituality.
Given my own nature, my own need to experience quiet and
solitude, the mystical component -- and with my sister Linda so logical in
keeping my feet on the ground and a true Francis-like personality
herself, he said he hopes to carry with him both Benedictine stability
and the Franciscan ability to go out among people.
Bishop Francis Quinn spoke of priests as an endangered species.
Does Reinders feel that way?
No I dont, he said, I think God raises up
people at different times in different ages to really assume the roles they are
called to do.
Perhaps if we think of an all-celibate clergy, that might
put us on an endangered list, he said, but I hope for the day when
many people can be called to ordained ministry in the church, both married
people and women. Perhaps we are endangered if we dont listen to the
Spirit.
Of celibacy, Reinders said, Because of my background in
mystical theology and looking at our whole tradition -- especially people like
Francis and Benedict -- I see this as a faithfulness to my spouse, Christ, my
primary relationship -- as in the Song of Songs. That means I must spend time
in prayer.
A Golden Age of church ahead?
If so, he said, it is in rediscovering the value of the
Second Vatican Council -- in people not wishing to run away from it and move
backward and disguise themselves by turning altars to walls or wearing
fiddlebacks [old-style chasubles] or entrenching themselves in a very old
theology.
If a Golden Age, he said, it is because we are
at a threshold that will open for us a door to a future of really allowing the
Spirit to lead the churches. And that takes a great deal of humility and
courage.
Now serving at St. Anthony of Padua Parish in Casa Grande, Ariz.,
Reinders said such courage is shown not in stepping backward into what seems to
be safe, but in moving into the unknown -- allowing the unknown to lead
you in the way their great trust led Abraham and Moses in the desert.
This is a desert diocese. What does such a place give to the
broader church? What emanates from it?
Beauty, an ancient tradition, a gift of the Eucharist going back
to the 1500s, Reinders responded.
Despite the excesses of some early missionaries who forced
Christianity onto people, he said, there was and is a beauty in building
up the body of Christ and of allowing people to worship as who they are,
he said.
The Southwest has always been very peaceful, maybe because
of the heat. The indigenous people were so welcoming before trials came into
their lives, he said. They had a gentle way of including each
other. And that persists, if we let it.
Reinders, meanwhile, continues to capture Christianitys
gentle spirit in another way -- writing his icons.
National Catholic Reporter, September 12,
1997
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