Inside
NCR
Exile and the kingdom; art and the nuns
There are many forms of loneliness,
and priests, being human, are subject to all of them. Spare a thought, then,
for Fr. Henry Williams of Sierra Leone looking out at the white faces of the
congregation in St. Andrews Cathedral, Victoria, British Columbia. As the
music started, so did Williams hands -- but discreetly -- keeping time to
the music.
It was his first Mass in his new life.
What must it be like, wondered Arthur Jones, NCRs
editor-at-large, to undergo such dramatic culture shock: to a cold climate, to
such sedate worship and reticence in daily life compared with the exuberance on
which he was reared?
I already miss the drums, Williams told Jones later.
And the dancing and the hands.
Three months earlier, the priest was hiding in the bush as Sierra
Leones civil war went through another wild phase. The bishops of Sierra
Leone and Victoria, old acquaintances, agreed to a transfer, and the priest
from Bonthe Island is now on Vancouver Island.
It will take time for the people to get used to my accent
and my style of delivery, Williams told Jones, and me to theirs.
But well do it.
To the congregation he said, Dont make me be lonely.
Come up and introduce yourself to me on the street. Thats what we do
where I come from.
That, and sing and clap hands and dance their way through
liturgies.
Once upon a time, Christianity and
the arts went hand in hand throwing light on each other. More recently the
words almost add up to an oxymoron. Christianity and the Arts is,
therefore, a daring venture, an act of faith -- a sleek, thoughtful quarterly
now about 5 years old, edited by Marci Whitney-Schenck (PO Box 118088, Chicago,
IL 60611; phone 312-642-8606).
The fall 1988 issue has something special: Hidden Treasures
of the Church: Arts by Catholic Nuns. This is a stunning reminder of the
amazing energy and creativity of American sisters this turbulent century. This
is not a collection of pious little pictures; it is frequently art at the
cutting edge, an impressive variety from Sr. Corita Kent to -- well, too many
to mention.
The nun art issue is a grand mix of theory, history
and all kinds of art works. Theres art from the barricades but also some
nostalgia, poetry, fiction -- who will fill those sisters shoes?
Not that they have left the scene. Among the flood of reminders
that have come to my desk is Prayers for a New Millennium, by Sr. Mary
Lou Kownacki (Ligouri Publications), already leaping over minor problems such
as Y2K into a more gritty and exciting new millennium. Her Prayer for
Interior Improvement concludes:
... When the wild angel arrived, she placed a
flaming sword of justice in my hand. When I entered the burning
bush, you told me that where I stand is holy ground. When the
writing formed in the palm of my hand, I knew my true name. If
today you hear Gods voice, harden not your heart.
-- Michael Farrell
National Catholic Reporter, January 8,
1999
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