the truth is
out there... Teens on screen: In Teen Gothic genre, the kids arent all
right
By JOHN L. ALLEN JR.
Life as a teenager has always been
sort of hellish. Lately, on TV and in the movies, its become literally
so.
Case in point is Buffy the Vampire Slayer, the stylish
drama thats become a big ratings winner for the WB network (Tuesdays, 8
p.m. EST). The heroine is a lithesome high school girl who battles the demons,
vampires and other supernatural fiends who flock to her hometown like Shriners
to a convention hall. So many people have been disemboweled in Sunnydale that
instead of streets they ought to install steel grates so the blood and gore can
just sluice right through.
The genius of Buffy is that its a Stephen King
novel built on top of the Patty Duke Show -- in other words, a
horror story intertwined with a relatively conventional teen coming-of-age
drama, where our girl has to struggle with dating and parents just like
everybody else. Its no accident that Buffys creator and
executive producer is Josh Whedon, a third-generation TV writer whose
grandfather wrote for the Donna Reed Show. Whedon knows just how to
give those eternal family issues a 90s twist.
Across the range of teen-oriented movies and television today,
that twist is increasingly gothic. Whether its the vampires in
Buffy or the evil, lobotomizing head counselor in last
summers Disturbing Behavior, teen life as seen through the
Hollywood lens is often full of menace.
Another example: last falls The Faculty, where
aliens take the form of teachers at a suburban high school and carry on a
campaign of terror and mayhem. The kids quickly surmise they cant trust
anyone except themselves -- and even then they gotta be choosy.
In the new Teen Gothic genre, adults are sometimes clueless,
sometimes the enemy, but most often are not in the picture at all. Teens face
their demons by themselves, a fitting motif for a generation with a 50-50
chance of being the product of a divorce. Even in stable two-parent families,
both parents are likely to work outside the home, leaving kids to navigate lots
of lifes challenges on their own.
In that sense, movies like The Faculty do resonate
with actual teen experience. And, of course, the ubiquitous flirting in every
one of these teen-ploitation flicks stirs the deepest emotional waters for
adolescents.
Yet the great irony of most teen dramas is that real
teenagers have little to do with them. The actors are generally in their 20s or
early 30s, and the creators are much older. On the other end, the heaviest
viewers are what marketers call aspiring teens -- 10- to
13-year-olds who watch more TV than actual teenagers because they have more
free time. Studies show that the older teens get, the less TV they watch and
the fewer movies they go to. Too much real life, such as school, work and
relationships, gets in the way.
Thus to a great extent, images of teen life projected in TV shows
like Buffy, or new movies such as Jawbreaker or
The Rage, are a better barometer of what the culture thinks of
teenagers than what teens think of themselves.
What do we see? Teens as dangerous, explosive, always bringing
trouble in their wake. Of course this image goes back at least as far as
Rebel Without a Cause (or for that matter Romeo and
Juliet), but its even more pervasive now, reflecting the
countrys mood. Anti-teen hysteria has never been more pronounced.
In his book Scapegoat Generation, Mike Males documents the
crackdown on teens that has rippled through American culture in the last two
decades, from laws authorizing paddling as a punishment for minor crimes like
graffiti and loitering, to decisions by prosecutors to put kids as young as 12
or 13 on trial as adults.
The curfew laws adopted in virtually every city in America over
the last decade are probably the clearest case in point. They deprive an entire
class of citizens of such a basic civil liberty as the right to walk down a
city street after dark. Its a literal application of the out of
sight, out of mind principle.
We are, it seems, afraid of our kids.
Its no surprise that the central figure in the new release
Jawbreaker, a 90s update of the classic 80s film
Heathers, is a teen vixen so amoral that she doesnt hesitate
to cover up the accidental killing of her best friend in the most lurid
possible fashion. She is deceitful, cruel, nasty -- the embodiment of what
America believes many teens to be.
Or check out the new release The Rage, in which an
isolated teen misfit cracks up and uses her latent supernatural powers to
terrorize her community. If my only experience of teenagers came through this
sort of movie, and I worried that the next sophomore I bump into at the mall is
going send a shard of glass hurtling through my abdomen, I might be inclined to
vote for a curfew myself.
True, adults by and large dont go to these movies. We
dont have to. The images are already in our heads, which is how they get
on the screen in the first place. This in turn is the picture of adolescence we
present to preteens, making them even more nervous about leaving junior high --
perhaps the cruelest twist of all.
I used to spend 12 hours or more every day swimming in a sea of
teenagers, teaching in a Catholic high school in Los Angeles. The kids I knew
were intelligent and responsible. They had the standard teen weirdnesses (I
never understood, for example, how they could amuse themselves for hours
trading worst zit stories), but generally they were solid citizens,
possessing a tremendous capacity for idealism and creativity. I wish Hollywood
would figure out how to do a better job of telling their stories alongside
those of the psycho loners and the femme fatales.
Thats what makes Buffy the best of this Teen
Gothic lot, because Sarah Michelle Gellars character -- despite all the
kung fu fighting with the undead -- is actually among the more realistic and
appealing teenagers on TV. She struggles to do the right thing, and even when
she fails, its for the right reasons. The shows writing is sharp
and perceptive, and the acting is generally terrific.
If more adults actually watched Buffy, we might feel
less threatened. We might understand that most of our kids, like Buffy herself,
would rather save us than destroy us.
John L. Allen Jr. is NCR opinion editor. His E-mail
address is jallen@natcath.org
National Catholic Reporter, March 26,
1999
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