|
Inside
NCR OConnor legacy, womens manifesto, art saga
There are nine fat envelopes of
clippings in the NCR clip file about Cardinal John OConnor, as
well as extensive electronic archives, hundreds of items long and short,
complete with pictures of the young, feisty bishop, down the years to the young
bishop grown old and finally bloated by medication used in the battle against
the cancer that killed him.
No amount of paper can sum up a life. But the sheer volume hints
that OConnor was important and influential and walked the U.S. Catholic
stage -- one is tempted to say strutted -- happy under the spotlights
glare.
He had been bishop of Scranton, Pa. NCR dispatched one Tom
Roberts, years before he became a staff member, to check OConnor out.
Roberts reported the new New York appointee was popular in Scranton and
gracious in person. Ever since, the cardinal has managed to make waves, big and
small, on almost a weekly basis. On several occasions NCR did wider,
deeper digs. In 1985, we sent Arthur Jones, Joseph Feuerherd and Vincent
Golphin to interview him in depth.
Editor-at-large Jones returned for another extensive interview in
1998. It was a mixed review, but the NCR cover conceded,
OConnor refused to abandon the inner city, leaving difficult
choices for his successor.
There will be days of mourning and eulogies, and then attention
will turn to a successor. But the OConnor legacy, for better or worse,
will not dissipate in a hurry. He was a big Catholic leader on a rather
lackluster U.S. Catholic stage, and there are not many big ones left. He
traveled to Rome eight or nine times a year. Rome listened to him, and he
listened to Rome and toed its line with fierce loyalty. Some will say this was
good for the church, others that it weakened the U.S. bishops conference,
and in so doing damaged the collegial structure the Vatican Council had tried
so ardently to build on.
But OConnor had a sense of humor, which he frequently turned
on himself, and the church could sure benefit from a little more of that.
In the movies they call them
outtakes, gems or less that dont make it into the final production. It
happens in writing, too. Pat Marrin, editor of Celebration and frequent
contributor to NCR, as cartoonist and writer, attended what turned out
to be a very important meeting in Indiana. He came back all fired up and with
typical eloquence penned a bunch of lines that might shiver church timbers. But
there was not enough room for all the words he wrote, so I salvaged a few from
the cutting room floor. They begin as follows:
The term convergence is often reserved for
important stellar events or planetary alignments. The convening of 15
distinguished churchwomen at St. Marys College in South Bend, Ind., April
28-30, to address the state of women in todays church may claim only
small immediate attention, but its eventual gravitational pull on the debate
between the official church and its women as loyal opposition is now in motion
with a new intensity. Something important has taken place, an act of resistance
we may one day record as a turning point. A metaphorical nova now burns whose
light will soon reach us.
Any article that can afford to shed even one such eloquent
paragraph must be a humdinger indeed.
Heaven knows, layout gurus Toni
Ortiz and Toby Becker gave me plenty of prime space to have my say about the
Jesus 2000 saga. Still, I wanted to mention one further entry that sums up the
amazing spirit of the venture, which often brought out the best in what art and
history and Christianity mean.
I want to share with you why I entered this contest,
wrote June Snell of Auburn, Ill., back in the fall. As I have been
sitting on our couch resting from leukemia, my husband handed me the article
about your contest. That was a miracle in itself, for he never acts like he is
interested in my art! The prize money means nothing to me. I just want you to
know that you have given me something else to think about and a reason to
get going.
She didnt win the big prize, but perhaps something bigger.
-- Michael Farrell
National Catholic Reporter, May 12,
2000
|
|