Inside
NCR
An era is ending at National
Catholic Reporter. The current newsroom, with its clutter of wires going
nowhere, nonworking light fixtures, eclectic furniture circa 1958, assorted
boarded up doors (no one can figure out why they were placed four feet apart
going to the same place), frayed rugs and jury-rigged bookshelves, will soon be
a memory.
This is the room about which a visiting Tim Unsworth once
pronounced, having just crossed the threshold and given a quick glance around:
Looks like an unmade bed.
The immediate occasion for the remake is a sagging ceiling. It is
now covered with acoustic tile, but is bowed ominously between the desks of
Pamela Schaeffer and Therese Johnson, and has become a point of growing
concern. (We wouldnt want newsletters editor Joan Wingert crashing
through from above, where the floor is so pitched we could rent it out as a
skateboard park.) Its one of the results of someone, at some point,
having added an entire fourth floor to the rest of what is called the Armour
Boulevard mansion.
The reconstruction will also eliminate the traditional
editors office, stuck somewhat awkwardly between the newsroom and the
production office with sets of big sliding glass windows on either side. The
windows were great for pretending one was sitting in a huge confessional (the
former priests around here have displayed great technique for sliding the
windows without seeming to peek at the penitent). The windows no longer slide,
something to do with that sagging ceiling.
Long before NCR came on the scene, this building had been
renovated out of its early 20th century grandeur and split into offices. The
only thing remaining of the original, we are told, is the elevator, an
antiquated pneumatically driven deal that, the legend goes, was installed so
that the faithful old dog of one of the previous owners would not have to
struggle with stairs.
To accommodate the reconstruction -- once the ceiling is ripped
out, it was reasoned, why not go fruther and bring the space up to at least
20th century standards -- the editorial and production staffs are vacating this
area and dispersing to other rooms and floors.
Well keep you posted on our progress, if not our confusion.
Wish us luck getting the paper out during the summer months. Target date for
moving back into our updated digs is Labor Day.
-- Tom Roberts
My e-mail address is troberts@natcath.org
National Catholic Reporter, May 25,
2001
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