Charting faiths geography in
rough-and-tumble history
By ARTHUR JONES
NCR Staff
Georgetown dropout James T. Fisher found Christian mysticism in a
taxicab.
In the winter of 1976-77, Fisher was living alone in Hoboken,
N.J., and driving a cab in New York City. In the isolation of my taxi
seat, he said, sending his phrases forth in clusters, I began to be
very drawn toward the Christian mystical tradition and particularly one
of its contemporary exponents, Trappist Fr. Thomas Merton.
Twenty years later his seat was the Danforth Chair in Humanities
at St. Louis University, a joint appointment in history and theological
studies. Hed circled back to his Jesuit academic roots. Now hes on
the move again back east to St. Peters College, Jersey City, N.J., as the
Will and Ariel Durant Professor of Humanities.
What drives Fisher is a fascination with how religion itself works
in the culture. The movie screen has become a prime textbook as he tries to
focus on religious history that is not consumed simply by
religion.
Currently that means the film, On the Waterfront, as
he delves into labor priests and Irish longshoremen, Port of New York, 1920s to
40s. He is completing his trilogy on American Catholicism, following on
from The Catholic Counterculture in America, 1933-1962 (1989), and
Doctor America: The Lives of Thomas A. Dooley (1997).
As the long generation of the post-Vatican II era yields to
a new dispensation, Fisher said, we need to gather a lot more
stories to fill the spaces between the churchs dueling
factions.
During seven years at St. Louis University, Fishers students
have charted the geography of faith in the region, examining popular shrines
and devotional sites, rural parish apostolates and urban ethnic parishes.
This is what American Catholic studies is all about,
he said, uncovering a kind of found theology of everyday life
that might offer material for the reflection of professional theologians. And
there is plenty of room for the area of Catholic consciousness to grow wider
still.
Historians look back. But Fisher also looks forward with his
students, young Catholics unconnected to, unaware of, the rough-and-tumble
American Catholicism he wallows in as he does his research. Heres what he
sees.
His students, he said, are waiting for a saint from their
own generation. This current generation of Catholic students, cut off from much
of American Catholic history, nonetheless reflects, he said, an
extraordinary devotional revival coupled with a social justice commitment,
certainly in the Jesuit context, that has canonized Dorothy Day and the
Catholic Worker movement.
Fisher as a young Catholic did not need to wait for a saint. He
grew up with plenty of them in an extraordinarily devout Irish
Catholic family. Its close-focused devotion, he said, excluded what was
happening on the immediate Catholic periphery. They would not have known
who Dorothy Day or Merton were. But they could shake funeral home rafters
with the rosary at a wake.
In the 70s, in search of a monastic mystical experience,
Fisher traded in the cab steering wheel for that of a battered old car
inherited from his grandfather and headed for Appalachia. He turned around once
he reached Virginia.
Go to Rutgers, he told himself, get a college
degree (so he couldnt blame future failure on not having one).
Rutgers University in New Brunswick, N.J., Fisher discovered, was secular in
name only. The majority of the student body was Catholic, though the majority
of the faculty was not.
As he needed only three semesters to graduate, Fisher decided to
see if he could do a bachelors in history that combined his interests in
mystical experience, religious experience and history. Rutgers accommodated
him.
Appetite whetted, and with social historian James Reed advising
him, Fisher pushed ahead into the social/historical context of American
religious experience.
On he went, his Catholic counterculture dissertation was
published, he taught Rutgers first-ever course on American Catholicism
(and then broke Yales 300-year-long oversight by teaching the same course
there).
He took the course with him to St. Louis University in 1994, where
he found the students had little sense of the theological distinctiveness
of the Roman Catholic tradition, which means they may have a broader
understanding of Christianity writ large. Theyre certainly not caught up
in denominational distinctiveness, he said.
What shocks them is any historical narrative of conflict within or
about the church. Said Fisher, theyre unsettled to learn of a time
when people burned down Catholic churches, trashed Catholic medical schools --
the mid-19th century Nativist rioting.
Theyve lost the sense that religious experience is
part of the rough-and-tumble of their own history, though they do see it as a
major source of inspiration to others.
His students lack of connection to the sufferings of earlier
generations of American Catholics contributes to Fishers current
preoccupation with the story that is the basis of the film On the
Waterfront.
Forty and 60 years ago, Fisher said, Irish and
Italian Catholics on the New York docks, victimized by corrupt union officials,
truly suffered and needed social justice. Students today have no sense of their
connection to this history of deprivation. Rather, they see themselves
inheriting a degree of comfort that obliges them to share with others.
Thats commendable, said Fisher, but
theres a tendency to bleach out of the contemporary memory, to wash away
the collective memory.
For many of todays Catholic students, it is volunteer social
service that develops their communal spiritual dimensions. Their sense of
belonging to a religious community comes out of that shared
experience.
Even committed students, many with strong Catholic roots, tend to
shy away from the difficult personal and experiential questions that
earlier Catholic [student] generations may have wrestled with or
confronted, Fisher said.
He continued that what makes these students fundamentally
different from preceding generations is they were raised by parents who as
Roman Catholics were somewhat hesitant to lay down what the law was because in
the upheaval that followed the reformist Vatican II (1962-65), there was
no law to lay down, all there was was questioning as to what the law
was.
His own age group (hes in his 40s) said Fisher, had a
certain advantage. We may have thought we were risking things by questioning
things, but you knew there was a very strong foundation and you counted on that
to fly far and free. More often than not, these kids are anchorless, he
said.
Their devotional allegiances can be deceptive, too, Fisher
observes. They present themselves as extremely orthodox Catholics,
said Fisher, and you say, oh, theres someone whos a product
of a very staunch Catholic upbringing. Quite often, in fact, it is a
constructed identity-- something the student has developed himself. It has come
out of his experience of searching.
It appears rooted, he said, but a lot of it in
fact is a desire to achieve a certain kind of certitude not available in their
families.
One of Fishers projects for students is to have them study a
parish not their own. Quite often, he finds, they select their
grandparents original parish.
They rediscover these churches in south or north St. Louis,
or near downtown, and that gives them a sense of roots. Thats valuable
for them.
What this current generation of Catholic students reminds Fisher
of, historically speaking, is the type of middle- and upper-middle-class
society Francis and Clare of Assisi sprang from. Its the sort of
climate from which they go out as laypeople and do things -- while waiting for
a saint from their own generation to inspire them further. Its remarkable
[the students] have canonized Dorothy Day. Catholicism is being rediscovered in
its countercultural dimension. And yet theyre interested in younger role
models, too.
And while this generation may be looking for a saint, it
doesnt mean a given kid is about to give everything up. In this day and
age, said Fisher, they want piety and their Catholic Worker sensibilities to
combine with their career. So its OK to be countercultural, but
its held in balance with career concerns -- a mix that is catching
on at Catholic colleges and universities.
There appears to be a great desire to combine Catholic
studies with business, said Fisher, just on the assumption the
students will enter the business world. The University of St. Thomas in
St. Paul, where Fisher recently spent his sabbatical year, has
entrepreneurial studies and the worlds largest Catholic studies
program. Fishers wife, Kristina Chew, was teaching Latin and Greek
for a year at St. Thomas.
Fisher pointed to the Catholic ascendancy in the business world
before closing with the thought that business was attractive to young people
today and that the lure of politics as a Catholic career had ebbed
somewhat.
After all, he said, John F. Kennedy was
nominated and elected 40 years ago, and there hasnt been a Catholic
president since. Once it became evident that Roe v. Wade
wasnt going away, said Fisher, the political arena may no
longer have been as attractive to Catholics.
But if the current Catholic teens-and-20s generation begins
generating its own saints, and if those saints in turn create a public Catholic
revival (whatever essential Catholicism is at that point), maybe young
Catholics will be caught up in public pursuits even more attractive than either
business or politics.
Trouble is, theyd have to drop out for a while to do it.
Maybe even drive a cab to survive.
At a
glance |
James T. Fisher, 44, until this summer held the Danforth
Chair in Humanities at St. Louis University. He is now the Will and Ariel
Durant Professor of Humanities at St. Peters College, Jersey City, N.J.
Fisher earned his bachelors and doctorate from Rutgers University in New
Brunswick, N. J. He and his wife, Kristina Chew, a translator and teacher of
Greek and Latin, have a three-and-a-half-year-old son, Charlie.
Whether at the movies, on the street or looking out the
window, Fisher sees an American Catholicism that may be as fragmented as many
contend. Yet he also discerns the presence of Catholic energies in places that
once might have been viewed as unlikely or inappropriate, especially in the
popular culture. Perhaps this interest is rooted in his experience. Fisher
attended parochial school and served as an altar boy in Cheshire, Conn.,
alongside Eddie Legs McNeil, the icon and embodiment of punk rock
as it emerged in the mid-1970s.
His next book, his third, is on the classic 1954 film
On the Waterfront. The movie, Fisher maintains, offers the most
stirring portrayal of Catholic social doctrine in action ever witnessed in any
medium -- yet the film was written, directed and produced by non-Catholics. It
was, however, inspired by the work of a Jesuit labor priest.
Convinced that Catholics and African-Americans are most
responsible for the development of an urban popular culture that transformed
the nation in the 20th century, Fisher argues that the pervasive Catholic
presence in American popular culture should be more openly acknowledged, though
not uncritically celebrated. |
National Catholic Reporter, June 29,
2001
|