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Cover
story 80
monks, an architect and a shared taste for austerity
The choice of John Pawson as architect of the monastery at Novy
Dvur was on the face of it incongruous. Famous for the Calvin Klein store on
Madison Avenue and the Cathay-Pacific lounge in the Hong Kong airport, Pawson
counts as friends and clients celebrities such as Klein and Martha Stewart,
whose house in the East Hamptons he helped design and who featured Pawson in an
issue of her magazine. But the guru of modern minimalism lives a famously
austere lifestyle. His home in London has been frequently featured in articles
and on television as a showcase for his work. It features calm, monumental
spaces devoid of ornament or even common artifacts for that matter. A recent
article in The New York Times notes that even Pawsons telephone is
tucked out of sight, behind a cupboard door.
A tongue-in-cheek profile in the London newspaper The
Guardian suggests Pawsons apparent triumph over the detritus of daily
life is not so much about paring down possessions as acquiring better closet
space. Still, Pawson likes to say that he lives much as the Sept-Fons monks do,
with an emphasis on simplicity. For their part, the monks were attracted to the
Zen-like minimalist décor Pawson offered clients. Br. Thomas, 36,
himself an architect, read Pawsons book, Minimum, and passed it on
to the abbot, who subsequently contacted Pawson.
Pawson describes the initial meeting as nerve-wracking for both
architect and clients.
They [the monks] had decided they wanted to use me. What
they were nervous about is whether I would take it, and I was nervous that they
wouldnt give it to me. So it was quite a funny day.
Once the commission was offered and accepted, Pawson visited the
abbey at Sept-Fons so he could learn more about the monks life, joining
them in the chapel for daily offices, even rising at 3:30 a.m. for the first
service of the day. The monks at Sept-Fons live in silence, communicating with
each other only when essential, but they suspended their usual silence to talk
to Pawson about the project.
Ive never presented to 80 clients before in one go.
They prayed before I presented to them, Pawson recalled.
Every step along the way the monks have been involved in the
design, providing Pawson with an amazingly detailed brief that
extended right down to the desired temperature in the monastery: 12 degrees
Celsius in the cloister and 15 degrees Celsius in the dormitories.
They have firsthand experience of what they need and they
have a lot of time to think about it, Pawson said.
Counting the existing manor house and the three wings that will be
added to it, the total project will consist of about 60,000 square feet, which
works out to about 1,500 square feet per monk. Monks have the same needs as
other men, but because the monks never leave the property, Pawson noted that
more space, not less, is necessary.
Cistercians emphasize communal life, which may account for why the
Trappists live in silence.
Theres a relation between silence and the common life.
Our common life is very strict, and since we are always together, if we
werent silent it would be hell, Abbot Dom Patrick said.
The Sept-Fons monks not only eat together, they sleep together in
a common dormitory with partitions between the monks for privacy. Pawson, who
is designing every aspect of the project, down to the furniture, the cutlery
and the crosses for the church, is planning special glass tops in the new
dormitory for the handful of monks who keep others awake with their snores.
Pawsons design for the cloister at Novy Dvur calls for a
contemporary-looking barrel-vaulted cloister without columns three sides around
a grassy courtyard. Columns are a staple of monastic architecture; without
them, the barrel vault forms a smooth uninterrupted curve. All of the major
parts of the monastery -- scriptorium, church, refectory, library, infirmary
and Chapter House -- will offer access to the cloister. One of its unusual
features will be that because Novy Dvur is located on a hill but the cloister
is constructed on a single level, a monk may enter one side of the cloister at
ground level and by the time he completes the tour around the cloister
hell be on the first floor.
The seven liturgical offices that mark monastic life mean 14
processions through the cloister, a fact Pawson is very conscious of.
When youre traveling through the cloister, you want to feel all
sorts of emotions. You want it to be calm, but also beautiful, Pawson
said.
Pawson is depending on scale, proportion and, above all, light to
achieve the effect of sublimity he wants. A canal will run the length of the
cloister and will reflect the play of light on the water onto the white
plastered ceiling. The church, which will be built last, after the monks move
in, is a vaulted rectangular nave ending in a semicircular apse. No exterior
windows will be used, but two light boxes will diffuse the light. The light
will fall such that at certain times of day the altar will appear to float in a
hazy luminescence, said the architect. Only the guesthouse and the church will
be open to visitors.
For Pawson, as for the monks, it was important that Novy Dvur
should reflect the simplicity of Cistercian architecture but nonetheless be
rooted in its own time.
I was resolved to produce something which wasnt a
pastiche of previous architectural solutions, but I was equally determined to
remain true to the Cistercian spirit, said Pawson, who has been a
longtime admirer of Cistercian architecture, particularly the 12th-century
abbey of Le Thoronet in Provence, France, which he has made frequent trips to
for many years. Other influences on his aesthetic are the 19th-century
industrial buildings of his native Halifax in Britain and 16th-century Japanese
art and architecture. Pawson, who is just as apt to design furniture, bowls and
cutlery as buildings, spent four years teaching in Japan.
--Margot Patterson
National Catholic Reporter, July 27,
2001
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